The Takrut Tone Maha Rangap Nakabat Jaad Jong Kong Ee Sethee Ruay Sap Naga King Amulets, were released in 2558 BE, and received 3 full blessing ceremonies, in Petchaboon, Nontaburi, and Kanjanaburi Provinces, with three Guru Masters of the magical lineages, each performing the Administering of Ceremony and leading the Chanting and Subsequent Jhanic Empowerment, one for each Ceremony. These monks were; Pra Ajarn Den, of Wat Po Klang in Amper Tam Pol in Petchaboon, Luang Por Paetch, Wat Sai Tong, Amper Dan Makham Dtia, in Kanjanaburi, and Pra Ajarn Wasant, of Wat Sai Ma Dtai in Nontaburi.

The first Ceremony was held on the 29th July 2558, at Wat Po Klang Temple in Petchaboon. Pra Ajarn Den was the Master who performed the Ceremony and Empowerment.

The Second Ceremony was held on Saturday the 8th of August 2558 BE at Wat Sai Tong in Kanjanaburi, with Luang Por Paetch performing the Ceremony and Empowerment.

The Third Ceremony was held on the 11th of August 2558 BE at Wat Sai Ma Dtai, in Nontaburi, with Pra Ajarn Wasant performing the Ceremony and Empowerment.

The Sacred Metallic Chanuan Muan Sarn Metal Alloys used for the smelting and casting of these Takrut, included rare Miracle Monk Coins from 4 Great Guru Master Monks of Yester-Year of the Indo-China War Era; Luang Po Jaad, Luang Por Jong (Wat Na Tang Nork), Luang Por Kong (Wat Bang Gapom), and Luang por Ee (Wat Sattaheep).

Above from left to right; The famous Sacred Miracle Coins of Luang Por Jaad, Luang Por Jong, Luang Por Kong, and Luang Por Ee. A number of these coins, known for their Miracle Power, were smelted into the Sacred Alchemical Alloy for the Naga Takrut, which then has of course Takrut Tone Yantra spell inscribed in Sacred Ancient Khom Aghara, invoking the Naga Kings of Bhodala for Maha Amnaj, Klaew Klaad, Maha Lap. Serm Duang, Maha Pokasap, and Metta Maha Niyom.

The Takrut themselves are cast into an iron Frame in the shape of a Naga Serpent, with the Takrut Tone scroll as the body of the Naga. A most beautiful 'Lai Thai' fine line Classic artistic interpretation of this Denizen of Vedic Myths and Legends, and Himapant Forest Tales. The Naga plays an important role in the Buddhist Fables, and is seen to be a Higher Being of the Bodhala Underworld, who is able to transform into the Human form at will, but who is Serpentine in its True Nature.

BUCHA PAYA NAK

Kata Bucha Paya Nak

Na Dti Dtang Payaama Naakaaya Apinang Naakaa Saatuno Pandtae Ya Ma Ya Ma

Kata Anchern Paya Nak

(to Invite the Naga King to Come and be present)

Namaami Lila Saakhae Badt-Tha La Bpa Tammae Sa Ka Lab Dtii Sayae Dtaa Naaka Laa Chaena Yabpi Sadto

Kata Saggaara Bucha Paya Nak

(Kata for giving offerings to the Naga Deity)

Aehi Sangkang Bpiyo Naaka Subannaanang Mayang

Specific Kata

If you wish to pray to particular Deities of the Naga Variety, you can do so with the following Kata;

'Gaaya Waaja Jidt Dtang Ahang Wantaa' (Use the Name of your Chosen Naga Deity here, e.g. ‘Waasugrii Naakaraach’ “Anandta Naakaraach’, "Naakiaatibodee Sri Sutto’ etc) and continue with – 'Wisutti Taewaa Buchaemi'

In the case of let us say, Phu Ruesi Naakaraach Deity, the Kata would go like this;

Gaaya Waaja Jidt Dtang Ahang Wantaa Phu Rasi Nakarach Wisutti Taewaa Buchaemi

The Takrut measures 10 Cm in Length, and has two hoops for attachment to a waistcord or pendant chain of your choice. You can add a 'Chueak takrut Kart Aew Waist Cord if you wish when checking out, by selecting the relevant option at checkout.In the case of wishing to wear on a waistcord or pendant chain, we do recommend waterproof casing, to avoid the head and tail of the Naga scratching your skin.

Kata Bucha Paya Nak (Alternative Version)

Naaka Taewa Brii Dtaa Pawan Dtiha Kaandtimaa Bpanondti Waena Wiipii Samsaandti Loga Maa Saatya Motadtae Saasadticha Smaacha

Abbreviated Form

Kad Sa Ma U Ma

(Chant 9 Times).

KATA BUCHA PHU SRI SUTTO NAKARACH

Always Chant the Maha Namasakara (Namo Tassa) 3 times before Chanting to Buddhist Amulets.

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Then Chant;

Aehi Sangkang Bpiyo Naaka Subannaanang

Mayang Gaaya Waaja Jidt-Dtang Ahang Wantaa Jao Phu Payaa Naakaatibodii Srii Sutto Naakaraach Wisutti Taewaa Bpuuchaemi

Tudtiyambpi GaayaWaaja Jidt-Dtang Ahang Wantaa Jao Phu Payaa Naakaatibodii Srii Sutto Naakaraach Wisutti Taewaa Bpuuchaemi

Dtadtiyambpi Gaaya Waaja Jidt-Dtang Ahang Wantaa Jao Phu Payaa Naakaatibodii Srii Sutto Naakaraach Wisutti Taewaa Bpuuchaemi

Ayang Mahaa Naako Itti mandti Tudtimandto Imichaegaalaena Mahaa Naakang Bpuuchaemi

(Chant 3 Times).