Pra Luang Phu Tuad amulet in Pong Bailan Black Parchment Powders + Din Kakyayaks Earths, with cord bound wrapped frame with pendant hoop, ready for wearing, from Luang Por Prohm of Wat Ban Suan. Released in the 2548 BE 'Sang Yord Pratat Chedi' edition, celebrating and funding the construction of a new spire for the Chedi Relics Stupa. The amulet is made from black bailan parchment, and Din Kakyayaks peat earth powders.

Made using the traditional ancient Wicha for the creation and empowerment of Luang Phu Tuad Amulets according to the Khao or Master Lineage, using the Sacred Kakyayaks Earths, which are an essential part of the Muan Sarn Sacred Powders used in the making of Pra Luang Por Tuad amulets, and are said to possess immense Metta Mahaniyom, Maha Lap and Kong Grapan Chadtri Power.

Part of what is special about Luang Por Tuad (so it is said at least), is that even a non-blessed image of Luang Por Tuad is still sacred and can make miracles happen. This is in our opinion true for all Sacred Objects of Faith, for Faith, can Move Mountains when it is strong.

The rear face of the amulet (below pic) bears the image of the Chedi Relic Stupa at Wat Ban Suan, with two Elephants raised up on either side, representing the two Elephants of Luang Phu Tuad's Wat Chang Hai Temple.The name of the Stupa and Temple of Wat Ban Suan are embossed around the outer rim.

This Luang Phu Tuad amulet is made using the very same style of design and formulas of Muan sarn Ingredients, and Empowerment methods of the Ancient Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery, and in line with the Dtamra of the Traditional Classic Luang Phu Tuad amulets, so famously powerful, from the great Ajarn Chum Chai Kiree. This is then not a 'Berk Dtamra' (first introduction of a new Wicha), rather, 'Anuraks Serb Tord Dtamra' (Preserve. and Promote the Ancient Legend).

The image of Luang Phu Tuad, sitting on a seven petalled Lotus Dais, with a host of 16 Luang Phu Tuad Bodhisattvas encircling him around the outer edges of the amulet, representing the 16 Buddha Yantra. The Kata Luang Phu Tuad is embossed in a circle around the central image 'Namo Potisadto Aakandtimaaya Idti Pakawaa'.

Luang Por Prohm's Wicha Are indeed many fold, For he has Mastered many different forms of magic spells, invocations, and mastery of elemental magic and forces. Developing his Psychic Powers and Practicing the path of Kammathana forest tradition Buddhism, Developing his meditative skill with the Practice of Vipassana.

Luang Por Prohm Has truly mastered a large array of different forms of sorcery and ways of invoking and inviting Devas, and spirits, to dwell within the various forms of animals and Deities, and other effigies which Luang Por Prohm Has learned to master, and control.

Few masters and temples these days produce not only amulets, but also release many kinds of ritual ceremonial instruments, and other kind of Talismans which serves to also preserve the ancient traditions and Wicha through the present Era into the Future. This also brings what would usually be extremely difficult items to obtain, into the hands of, and for the use of the common people, the active practitioner, and lay devotee.

The Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery, is perhaps the most famous and long standing lineage of Occult practice that is still alive and kicking to this day, and has a large array of truly adept masters under its list of members, past and present. There is no lineage more famous respected or feared for its truly powerful sorcery, as the Dtamnak Dtak Sila Khao Or.

Use the Maha Namasakara (Namo Dtassa x 3), and Kata Aaaratana Pra Krueang to Bucha and beseech wish fulfilment from the Prakam Dee Kwai Yord Khun Pol.

Maha Namasakara Kata

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa

You can practice the Kata Aaraatanaa Pra Krueang, by using the tutorial in the below youtube video.

Kata Aaraatanaa Pra Krueang

Kata Aaraatanaa Pra Krueang

Puttang Aaraatanaanang, Tammang Aaraatanaanang, Sangkang Aaraatanaanang

(Pray for your wishes)

Puttang Bprasittimae, Tammang Bprasittimae, Sangkang Bprasittimae

Luang Pu Thuat is known by all Thai people in every Province. Sometimes he is known as “Luang Phor Thuat” and sometimes “Luang Pu Thuat. “Pu”, meaning “grandfather” and “Por” meaning “Father”. It depends on the age of a monk whether he is called Luang Pu, Dtaa, Por, or Pi. He is possibly most famous with the common folk for his legendary powers and for the miracle of turning seawater into drinking water. This is in fact his nickname; “Pu Thuat Yiab Nam Tale Jerd” (Pu Thuat stepping over the seawater and turning it to fresh water).

This legend has become so widespread on a National level that it is common knowledge in ever region. But Luang Pu Thuat was a real person, he really existed.There are a number of amazing Legends about Luang Phu Tuad, which have served to raise this Guru Master to the Highest Status, alongside and independently of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram.

***Note; The Kata Sang Wi Taa Bu Ga Ya Bpa is also the first syllable of each of the six names of methods of arranging the Tripitaka, known as the heart mantra of the Tripitaka.

• 1. SANG = Sankanii; the arranging of the contents of Tripitaka by Dhamma categories.
• 2. WI = Wipanka; The arranging of the Dhamma of Tripitaka into topical sections, i.e. The Five Khandas, Three Conditions, Eightfold Path, Four Noble Truths etc. Sankinii and Wipangka can be tranlsated as “Synthesis” and “Analysis”.
• 3. Taa = Taatutagaa; Arrangement in Elemental categories – The various Dhammas are listed as belonging to verious Elements/Natures.
• 4. Bu = Bukkalabanyati – Arrangement into 6 different categories; for example, Khandabanyatai (the Khandas), Ayatanabanyati (the senses), and the different categories of persons (Bukkalaa) and their behavioral traits.
• 5 Ga = Gataawadtu; Arrangement of the Dhamma by way of question and answer – the number of questions and answers are said to be a list of 500 each, although this number is considered to mean “many hundreds” and not an exact number of 500, because as far as has been officially counted, only 219 questions and 219 answers are in evidence.
• 6. Ya = Yamaga ; Arrangement of the Dhamma into related pairs – this is then split into the three sections of Tripitaka.
• 7. Bpa = Bpataana; Synpsis of the Dhamma by way of “Bpaccaya” (supporting causes/influences).

There are 24 Bpaccaya, which are also listed as first syllables of each category forming a further Kata;

Aa Bpaa Ma Ju Bpa Nii Ma Sang Ang Khu Sang Wi Taa Bu Ga Ya Bpa Ga Ya Bpa.

This whole list of ways of arranging the Dhamma contained in the Tripitaka is called “Abhidhammapitaka” – the Missing coins noticed by LP Thuat therefore are the syllables of the “Kata Hua Jai (heart mantra), of the Abhidhamma.