Kuman Dood Sap Nam Man Prai and See Pheung Luang Por Tim - Wat Laharn Rai. The Kuman statuette was smelted using metals from Pra kring Chinabanchorn amulets.

This Prai Kuman was created using the formulas of Luang Phu Tom (famous for his pong Kuman powders and Prai recipes). The spell is in the form of a Kuman loi onk effigy sleeping in the womb of its mother. it is developed to the point of being ready for Birth. The mouth sucks on the umbilical cord (suck the umbilical cord is called 'Dood Rok' in Thai - hence the amulet title 'Kuman Dood Rok', or 'Dood Sap').

The Kuman eats the food which his Mother eats, passed through the umbilical cord. This symbolises 'Kin Mai Roo Jop' (consume without ever running out of a source of nourishment). This is one of the reasons why Luang Phu Tim would make Kuman Tong and other Prai efifgies in this form, in order to quantify the magic and make the devotee never run out of survival resources, be it food or money. This kind of Kuman spell is extremely useful for success in ones profession. The Luang Phu Tim foundation have comissioned 4 different models of Kuman Tong; 22 Jumbo Kuman effigies in the arms of Khun Phaen (Bucha statues).
522 statues were made, and then medium and small size Kuman effigies were madxe (2222 effigies).

The effigies were roasted in Nam Man Prai Eeesim (Prai Oil), and empowered on a Thursday evening (auspicious for this kind of empowerment) 3rd February 2554 BE, which was the New year of Thai Chinese people, and the opening of a new Century of Wat Laharn Rai temple!

The ceremony of placing the 'Hin Sila Rerks Hor Rakang' (placing of the auspicious monument stone of the Temple Bell chamber) was performed in front of the Saka Wijit Dhammapirat Munlaniti Luang Phu Tim. The final Puttapisek Ceremony of the series of blessings given for the Pra Kring Chinabanchorn Lokanat
As this Ceremony was performed a simultaneous Ceremony for invoking Pra Khun Phaen Yord Khun Phon ban Kaay Deity and the spirit of Prai Eesim.; The Nam Man Prai potion was then mixed and boiling of the See Pheung balm was performed, and then the roasting of the effigies in the oil. The mixing of the Nam Man Prai, the boiling of the See Pheung, and the roasting of the Kuman was done using the original ancient ceremonial method of 'Racha Wadtra Chadtr Tong, with the cieling covered in white cloth with the Sacred Great Trinisinghae Yantra, Yant Maharach, Yant Paed Tidt. The five sacred Yant of Luang Phu Tim ('Yant Ha Yant Kroo Luang Phu Tim') were wrapped around the five pillars of the Sala.

For this ceremony of mixing the Prai balm and oil, and roasting of the Kuman in Prai oil was attended by Master Guru monks who are Looksit of the Lineage of Luang Phu Tim of Wat Laharn Rai, who performed the duty of 'Nang Prok see tidt' (sit in the four cardinal quarters for empowerment of the elements).

Luang Por Sin (Wat Laharn Yai) Luang Por Sukh (Wat Pah Pradoo), Luang Por Sukh (Wat Nong Kor) were present for chanting. For the Brahman ceremony, a Lay Master who was the very last Looksit of LP Tim, who is already famous for making Takruts which can stand over 1000 degrees Celsius, was present to perform the ceremony of stirring and roasting the Kumarn effigies and oils (monks are not allowed to perform this part of the ceremony, as well as the fact that laymasters are not bound by the Vinaya and can use more powerful methods).

The oils and bals were made beginning with the bringing of a batch of the very last lot of Prai oul and balms made by Luang Phu Tim in 2518 BE, and gave to Luang Phu Rod to keep safe. LP Rod then passed it on to Ajarn Chin Prohma, as if he knew beforehand that it would be needed to be used to raise funds for the temple.

The Kuman Tong is 2 Cm high, immersed in See Pheung balm from Luang Phu Tim (Wat Laharn Rai). This is perhaps the last chance to get sme of the last remaining charm oil and balm from the great Luang Phu Tim.

Comes with a small Yant Sarapat Gon on foto paper (5x4 Cm) as an extra.

Kata Kuman Dood Sap nam Man Prai LP Tim

Om Mahaa Puudto Simang Pra Arahang
Sukadto Pakawaa nachaa Lidti Sunamolo Namo Puttaaya Ma A U Tugkhang Anijjang Anadtaa Putto Putto Putto Na Ma Pa Ta

Kata Bucha Luang Phu Tim
(chant to the Triple Gem first (Namo Tassa) 3 times)
Arahang Samma Samputto Nachaa Lidti - Anadtaa Agusalaa Tammaa Namoputtaaya


Kata for praying to LP Tim's amulets
(chant to the Triple Gem first (Namo Tassa) 3 times)
Idti Sukadto Arahangg Putto Namo Puttaaya - Ma A U Tugkhang Anijjang Anadtaa Putto Putto
(3 times)

Kata for calling Khun Phaen, Prai Diaw, Prai koo, and other Prai deities (such as Kuman Tong)
(chant to the Triple Gem first (Namo Tassa) 3 times)

Puttang Aaraatanaanang, Tammang Aaraatanaanang, Sangkang Aaraatanaanang
Na Maedtaa Ja Mahaa Raachaa Taewiraacha Budtraa Budtree Samana Prahmchee
Taasaa Taasee gasadtree Paab Raach-Cha Idthee Naaree Sappa Aehimuchisappang
Sappa Grotang Winaassandti Bpiyo Taewamanussaanang
Bpiyo Prahmmaa Namudt-Dtamo Bpiyo Naaka Subannaanang
Bpinintriyang Namaamihang

(the word 'Bpinintriyang, is pronounced 'Bpininsiyang', becauser 'tr' in Thai becoomes an 'S')

See all the different Kata for worshipping Luang Phu Tim and his amulets >>>