Gold foated version of the Pra Pid Ta Na Sethee Run Raek Run Sud Taay first and last edition, in Nuea Pong Puttakun Yantra Powders, with Takrut Ngern, solid silver Yantra spell insert in front face, and Ploi Sek Maha Pokasap, enchanted Gemstone fragments (real rubies), with Jivara Monk's Robe embedded into the Sacred Clay of the rear face. Made shortly before the passing of the great Luang Phu Kroo Ba Na, and is the last edition ever empowered by Luang Phu Na Chinawangso, of Samnak Songk Doi Ihuy, before his passing. This model was the second up in the list of various models of varying luxury, after the white Nuea Pong Puttakun white version with Takrut Tong Daeng copper scroll insert. Less numbers were made in this version, making it's future collectibility and ensured rarity higher than basic models.

Luang Phu Na Chinawangso has made this amulet using a very old Wicha for Maha Pokasap, Metta, Maha Lap Magic, which is also imbued with Serm Duang and Maha Lap, for Good Karma, and Lucky Fortunes, and features a Buddha entering Nirodha with eyes covered on the front face, with golden powder coating on the surface,with the Sangkati Sash of the Jivara Robe flowing over the chest of the Buddha, in similar style to the design used for the Pra Pid Ta Maha Lap of Luang Phu To (Wat Pradoo Chimplee).

The rear face of the amulet ,has fragments of Thai Rubies empowered with incantations and enchantments for Maha Pokasap wealthg accumulation, and has a sacred Yant Duang Na Sethee Yantra spell with the Sacred Khom Agkhara Letter Na Sethee, embossed in the center, for Metta Mahaniyom Mercy Charm, and Serm Duang Karma Improvement, as well as Maha Lap Lucky Fortunes. Pra Pid Ta amulets, as well as Pra Pid Ta in form of Pha Yant, and Bucha statues, have been produced as objects of reverence and protection since very ancient times in Thailand. The artisans of that time created various styles and interpretations using the various periodic influences of Buddhist art and sculpture available at the time. Varios Deity forms were used to make the Pid ta posture (‘Pid Ta’ means ‘covering the eyes’) – various Buddhas or Bodhisattvas or Deities are fashioned into the posture of Pra Pid ta, or Pid Tawarn (meaning ‘closing the orifices). Pid Tawarn can close 7, or 9 orifices (seven being called ‘Pra Pid Sadtatawarn’ and nine being called ‘Pra Pid Navatawarn’).

Kata Bucha Pra Pidta Na Sethee

Chant Kata Maha Namasakara 3 Times;

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Namō Dtassa Pakawadtō Arahadtō Sammā Samputtassa

Then Chant (3 Times);

NA MAA MEE MAA NGERN KAM MAA TONG KAM MAA NA CHAA LI DTI NA MA PA TA NA MOE PUT TAA YA

Pra Pid Ta Images, have been produced as objects of reverence and protection since very ancient times in Thailand. The artisans of that time created various styles and interpretations using the various periodic influences of Buddhist art and sculpture available at the time. The Pra Pid Ta is one of the Great All Time Classics of Thai Amulets. Signifying the Buddha Entering Nirodha, this douses out all Sufferings. Some Pidta are for Maha Lap (Riches and Luck) and some are to remove debt (Plod Nee) and some are for Protection (Kong Grapan/Klaew Klaad, Maha Ud). Some people believe the Pid ta to be e bringer of 'Blind Luck' and Gambling Fortunes.

Various Deity forms were used to make the Pid ta posture (‘Pid Ta’ means ‘covering the eyes’). Many Buddha Images, Bodhisattvas, or Deities are fashioned into the posture of Pra Pid Ta, or Pid Tawarn (meaning ‘closing the orifices). Pid Tawarn can close 7, or 9 orifices (seven being called ‘Pra Pid Sadtatawarn’ and nine being called ‘Pra Pid Navatawarn’).

Luang Phu Na Chinawangso was a Looksit of Kroo Ba Srivichai, and is the inheritor of the Master Lineage Sorcery of Kroo Ba Apichai Khaw.

This final edition was released in 2561 BE, and Blessed by Luang Phu Na, under Auspicious Astrological Alignments for that year, after which Kroo Ba Na passed away, which is strange as his edition was deliberately named 'Na Sethee Run Raek Lae Run Sud Taay' (first and last edition), as if he knew that this would be his last.

The Pra Pid Ta is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid Ta Maha Lap’.

Kata Pra Pid Ta

In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic, ancient artisans sometimes would use the image of the Sangkajjaiyana Buddha of riches and happiness, and carve it in the Pid Ta posture.

Kata Pra Pakawambodee

The Pra Pid Ta is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic, ancient artisans sometimes would use the image of the Sangkajjaiyana Buddha of riches and happiness, and carve it in the Pid Ta posture. The Pid Ta amulet is one of the most popular of Thai amulets, and has been made by so very many temples and masters from all Provinces, that it is now classed as an important member of the Benjapakee family of classic top five types of Thai amulets.