Pra Putta Chinarat Sum Ruean Gaew Loi Ongk Statuette, made from Solid Silver with Bronze and Gold PLating, to make the tricolor 'Sam Kasat' (3 Kings) effect. A classic Buddha-Rupa amulet for from the temple of Luang Por Pra Putta Chinarat; Wat Pra Sri Radtana Mahatat (Temple of Great Jewelled Reliquary), in Pitsanuloke

Year of Issue estimated around 2540 BE. All amulets from the temple of Wat Pra Sri Radtana Mahatat receive large and important Puttapisek empowerment ceremonies that count amongst the largest and most important in Thailand, on a par with Wat Sutat, Wat Yai Cjai Mongkol, Wat Pra Gaew, Wat Rakang, Bang Khun Prohm and Wat Sotorn (LP Sotorn). Almost always, either 99 or 108 monks of high repute will be invited from around the Nation to assist in the chanting and empowerment.

Wat Pra Si Radtana Mahatat (Thai: วัดพระศรีรัตนมหาธาตุ ; "Temple of Great Jewelled Reliquary"), also colloquially referred to as Wat Yai (Thai: วัดใหญ่; "Big Temple"), is a Buddhist temple (wat) in Phitsanulok Province, Thailand, where it is located on the bank of the Nan River near Naresuan Bridge. The temple is famous for its gold sculpture of the Buddha, known as Phra Putta Chinarat (Thai: พระพุทธชินราช; "King of Victory"). Some people consider it to be the most beautiful buddha in Thailand. Wat Pra Si Radtana Mahatat, known among the locals as "Wat Yai", was founded in 1357 by King Lithai of Sukhothai.

The temple of Wat Pra Sri Radtana Mahatat was built at the same time as Wat Phra Putta Chinna Si, and “Wat Pra Si Sasadaram. During the reign of Ekathotsarot of Ayutthaya, its Buddha image was gilded and the temple was later developed by Chulalongkorn and Bhumibol Adulyadej of Rattanakosin. The temple's large Vihara Shrine has an immense main entrance with mother-of-pearl inserts donated by King Boromakot in 1756. Beyond the Wiharn (Vihara), is an Ancient Khmer style Prang (Chedi Stupa), the inside of which can be accessed via a stairway.

The prang is said to enshrine relics of the Buddha. A 'Prang ', is a tall tower-like spire, usually richly carved. They were a common shrine element of Hindu and Buddhist architecture in the Khmer Empire. They were later adapted by Buddhist builders in Thailand, especially during the Ayutthaya Kingdom (1350–1767) and Rattanakosin Kingdom (1782-1932). In Thailand it appears only with the most important Buddhist temples.

A powerful Sacred Votive Buddha Statuette of Pra Putta Chinarat, and an amulet of Pure Buddhist Nature, which is of immense Religious and Historical significance, and an extremely faith instilling Sacred Artifact, which any true Buddhist would wish to have as a Personal Religious Relic. This Minature Piece of Blessed Sacred Buddhanussati Buddhist Remembrance, is indeed, a most desirable Sacred Artefact which can be kept on the Altar, or which can be encased and worn as an amulet, for Klaew Klaad, Metta Maha Niyom, Maha Lap, Kong Grapan Chadtri and Serm Duang.

Use the Traditional Thai Buddhist Method for Bucha :

1. Chant Maha Namasakara (3 Times)

2. Chant the Trai Soranakom (3 Times)

3. Chant Kata Aaraatanaa Pra Krueang (3 Times)

Kata Maha Namasakara

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa, Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa, Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa.

Trai Soranakom

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Kata Aaraatana Pra Krueang

Puttang Aaraatanaanang, Tammang Aaraatanaanang, Sangkang Aaraatanaanang

Make Your Wishes/{Prayers)

Puttang Prasittimae, Tammang Prasittimae, Sangkang Prasittimae

Kata Pra Putta Chinarat

Chant ‘Namo Tassa’ 3 times first as always before chanting other Kata

How to Chant Namo Tassa and the triple refuge

Gaayaena Waajaa Yaawa Chinaraachaa Putta Roopang

Siri Tamma Tibpi Dtagaa Raachaena Gadtang Namaa Mihang

Puttang Aaraatanaanang Tammang Aaraatanaanang Sangkang Aaraatanaanang Chinarachaa

Putta Roopang Aaaraachataanang

Puttang Laapa Maa Na Chaa Lee Dti

Tammang Laapa Maa Na Chaa Lee Dti

Sangkang Laapa Maa Na Chaa Lee Dti

U A Ma Na Mo Put Taa Ya Paa Maa Na U Ga Sa Na Thu Bprasitti Mae

Imaehi Naa Naa Saggaaraehi Apibuchidtaehi

Teekaayugo Homi Aroko Sukhidto

Sittigijjang Sittigammang Bpiyang Ma Ma

Bprasittilaapo Chayo Hodtu Sappataa

Putta Chinaraachaa Apibpaalaedtumang

Na Mo Puttaaya