Special Double Box Set of 2 Amulets; Pong Sariga Koo Maha Sanaeh, and the Hnaa Gaag Boroma Kroo Pran Bun - Celestial Magpie Amulet with Pran Bun Hunter Manora Mask double set. A Powerful Combination for Metta Mahaniyom, Kaa Khaay, Jerajaa, and Maha Lap Magick.

Both the Sariga Koo, and the Pran Bun Manorah mask, are extremely popular forms of magic with Performing Artists, and those who need to attract attention of admirers or listeners, customers and lovers. The Nok Sariga (or, ‘Salika’) is a Golden Tongued Heavenly Bird which is attributed with immense Metta Mahaniyom and Maha Sanaeh qualities, and is along with the Hongsa, one of the Best Devas to seek assistance in ‘Jerajaa’ magic. Jerajaa means ‘Discussion’.

The Golden Tongued Sariga bird enchants and charms the listeners of he who possesses the Wicha, bringing a hypnotic and charming effect, to influence and convince, making people see things your way. The Sariga Bird is a Celestial Deva and, as is the case with many Mythical Himapant Animals, a Bodhisattva Manifestation.

The front face features a pair of golden Celestial Magpies, with Sacred Khom Agkhara Spells embossed on the rear face of the Sacred Powder Amulet, which is made from Nuea Wan Sariga Dong, with Wan 108 and Puttakun Powders. The amulet has a Sacred na code stamp embossed in the front face.

It appears in many tales and legends of the Himapant Forests and in many Ancient Legends. Its immense power to seduce and enchant is second to none in the Pantheon of Animist Devas in Thai Buddha Magic, and is a favorite of those who use speech to get their way, and to sell their wares and services. Extremely Popular also with Ladies and the Gay Community.

A powerful Mercy Charm Amulet with the Sariga Koo, combines with the Pran Bun Hunter Mask for Professional Advancement (Promotion), Popularity, and Wealthy Success Wicha.

Above; Luang Por Pra Maha Surasak, Luang Por Somburn, and other Important Monks, Blessing the edition, at Wat Awut Temple, on 25th October 2558 BE. This Edition Funded the Project to Build Thai Buddhist Temple in South Korea

These amulets have received true Empowerment, from Luang Por Pra Maha Surasak, of Wat Pradoo, along with other Masters, including famous Takrut maker, Luang Por Somburn, and Luang Por Pra Taep Bunyamuni, Luang Por Kamnuan of Wat Gaew Jaroen (Holder of the Wicha of Luang Por Hyord), and Tan Jao Khun Wiboon Tammaporn (Adept Master of the Wicha Sariga Bon Hyuea), in Buddha Abhiseka, at the temple of Wat Awut.

The Manorah Mask (including the Pran Bun and other Personifications), is an amulet that is used for Metta Mahaniyom Mercy Charm and Maha Sanaeh Attraction, and is used by the Performance Artists of Ligae and Manorah alike (Ligae being another kind of Vaudeville seen in Thailand, of which there are many regional and artistic forms).

The rear face of the Pran Bun Mask has a Yant with Golden face Deva and the Kata 'Na Mo Put Taa Ya Aehi Jidt-Dtang' for Metta Maha Sanaeh Popularity Increase, and Maha Pokasap Wealthy Treasure Calling. The Masks are used to attract admirers and audiences, and to charm them into enjoying the show. The sacred powder used in the masks for Wicha Manorah, always contains talc face powders taken from Manorah Theaters, who do not just us any kind of talcum, rather only magically empowered talcum which possesses the Wicha Manorah.

Hence both the sacred powders them-self, and the mask, are both ancient and powerful forms of Manorah magic, for Metta Mahaniyom Maha Sanaeh and Maha Lap to enter into your Horoscope and Improve your Karma, and Profession. It is not often that we see Temples release the Sacred Hnaa Pran Bun Manorah Mask amulet, but this year, due to the right Astrological Circumstances, various masters of the Southern Traditions are honoring the Wicha, and preserving it with a new revival of Pran Bun Manorah, and related Deity amulets, from Various Great Lineages and Temples, all of which are of excellence.

For those in the entertainment and leisure professions, as well as escort services and those who have to secude their listeners, the Pran Bun Manorah Mask is a perfect Magical Mascot and Companion to Inflect Mercy Charm and Maha Sanaeh Seductive Influence, and Metta Mahaniyom (Great Preference) Enchantment Spell.

This is a perfect opportunity to Bucha the Boroma Kroo Guru Deity of all the Manorah Performance Arts, to bring 'Siri Mongkol' (Auspicous Blessings) to the Practitioners of this Profession, who are also simultaneously all Looksit (Devotees) of the Protective Ruling Deities and Angelic Devas of the Manorah.

You can see an example of the Magical Aspect of Manorah Sorcery performed by another great Master, Pra Ajarn Prasut, of Wat Nai Tao (Trang), who also is a Master Adept of Southern Manorah Magic.

Manorah is the Southern Thai Style of Dance, Musical and Theatrical Performance Arts, and has been an integral part of Southern Thai Culture for Centuries if not Thousands of Years. The Manora Theater performance is known commonly as 'Norah'. The word 'Manorah' however, does not originate from the South of Thailand. The word Manorah, first came into use during the Krung Sri Ayuttaya Kingdom.

The word Manorah appears in the tale of Pra Suthon, who is the Princess of his Desires. The Pran Bun Hunter is also both a figure who appears in the Southern Manorah Theater, coming from Pra Suthon Legends. In this legend, the Kinaree winged Maiden is also a powerful Feature of the story of Pra Suthon. It was the Hunter Bun (Pran Bun), who spied the seven Kinaree Maidens and ensnared one of them, to take and present to the Palace, and it was this Kinaree maiden who was named 'Manorah'. The Manorah Kinnaree is prolific in Southern Manorah Theater, appearing in a host of different acts.

The Manorah Dancing Style is almost certainly influenced directly from the Hindu People of the Indian Continent, who travelled over for trade and to stay here in the times prior to the rise of the Sri Vichai Empire in Southern Siam. Pran Bun amulets always contain Sacred Bpaeng Manorah powders for attraction and business improvement, with ancient Southern Buddha Magic of the Manorah tradition empowering it with powerful Wicha.

This item is particularly powerful as a business and professional success tool.Manorah Arts are theatrical dance and musical arts which have walked hand in hand with the Southern Magical Tradition as if born together. The Manorah Artists believe in the use of the Manorah mask as not only a Theatrical tool, but also as a Sacred and Magical tool.

Below is another Wai Kroo ceremony of Manorah tradition for you to enjoy, from Ajarn Prasut's 2554 BE Wai Kroo Manorah at Wat Nai Tao in Trang Province for a series of Nang Kwak statues made.

Kata Pran Bun

Om Namaa Mee Maa Na Nae Nu Ni Na Swaaha Swaahome

Kata Nok Garawaek

Gaara Wigo Gaara Gaa Nuu

Kata Sariga Lin Tong

Puttaa Anaenaa Maliyaa Susangkayaemi

Puttaa Irimaliyaa Susangkayaemi

Puttaa Aribpayo Kaema Kun Na Bpagkhae Samae Mami

Unaalomaa Bpanna Wichaayadtae

Kata Bucha Sariga Koo Maha Sanaeh

Aehi Saarigaa Wandtaanang Maedtamputtasae Sinaeharadthang Saarigaa Laapo Pawandtumae Aehi Hying Chaay

Kata Sariga Bpon Yuea

Badsabinhlaa Haedtaro Mahaedtaro Himma Anlaenaegan

Chayorgan Dto Bo Guu Yor Maa Cheu Wagan Gadtor Waa Guu Gadtor See Dee Nguu Huu Anlaerohuu

Kata Bucha Sariga Jab Bpaag Loeng

Wanna Wannaa Saligaayo Puttang Siro Waa Ha Ma Ma

วันนะ วันนา สาลิกาโย พุทธังสิโรวาหะมะมะ

Nightly Kata (chant each night)

Om Bplug Bplug Ruk Laew Yaa Norn Yaa Chaa Sarigaa Jao Euy Yaa Cheuy Leuy Raa Kroo Sang Jao Maa Ha Raksaa Kum Krong Bpok Bpong Kaehaa – Phuu Dai Mii Jidt Raay Khor Hai Glab Jai Maedt-Dtaa – Roke Pay Naanaa Khor Yaa Dai Pob Paan Laap Lae Yot Khor Hai Bpraakot Kheun Tang Bpaed Tidt, Midtr Khor Hai Gerd Kheun Tang Bpaed Daan Phuu Dai Haen Hnaa Guu Laew Khor Hai Man Rak – Phuu Dai Tak Guu Laew Khor Hai Man Hlong – Om Mahaa Sarigaa Greung Garanang Dtaawang Dtaawaa Ma ma Aehi Swaaha.

อมปลุกปลุก รุกแล้วอย่านอน ครูกูสอน อย่าช้าสาลิกาเจ้าเอ๋ย อย่าเฉยเลยรา ครูสั่งเจ้ามาให้รักษาคุ้มครอง ปกป้องเคหา ผู้ใดมีจิตคิดร้ายขอให้กลับใจเมตตา โรคภัยนานาขออย่าได้พบพาล ลาภและยศขอให้ปรากฏขึ้นทั้งแปดทิศ มิตรขอให้เกิดขึ้นทั้งแปดด้าน ผู้ใดเห็นหน้ากูแล้วขอให้มันรัก ผู้ใดทักกูแล้วขอให้มันหลง โอม มหาสาลิกา กรึง กะระณัง ตาวัง ตาวา มะมะ เอหิ สวาหะ

Kata Bucha Takrut Sariga Jab Bpaag Loeng

Aehi Gaasimaadti Gaama Raaka Lopa Bpihagaa

เอหิ กาสิมาติ กามะราคะโลภะ ปิหะกา